How to prune a poet

Prunerscropped

I’m not a prolific writer.

To get more lines from me

you’d have to prune me first—

grab your hand shears,

cut my creaking, errant excess out. 

 

But do it right, at the right times,

never in winter,

during my hibernation.

Trim me with a cultivator’s touch,

after languishing me with water,

nourishing me, tending my petals

as if you were in love.

 

Don’t hack, how brutal.

You could leave wounds 

that would never heal.

I could become infected;

then I’d lower my limbs

in a defeated poet’s stupor.

And at the most, I’d write of throbs,

an egregious injury

the likes of which you,

grimy gloved, would never feel.

 

Janet Lynn Davis
pub'd in Megaera, Spring 2006.


 

Faith (L. Ward Abel)

Ice trees
merge with the sky behind,
they become
whatever color. Ice
on the statuary that bows
with the weight of sleeping.
There is no sanctuary
in this scene, no cave
to fire these bones,
bones that dream of
greening come spring,
so far from here.
Now so cold.
There is no perfect storm.
Someone always
survives.

The Faith of the Poet
by David Matthews

This night is a darkness, a ruin,
A boneyard of projects and possibility
Come to nothing, a wreck of years
That claws at my impoverished spirit.
The dawn is but a rumor,
And I have little inclination to go on.

I have taken refuge in beauty
And found solace there —
In a coffee joint or a tavern
Where the air is thick with
A poetry of hope,
Rich with the dregs of despair
And the ashes of love betrayed,
Witness to desire

Fierce enough to haunt the dream
Of the lovely María Carlotta
Who with a bottle of decent red wine,
A thin blue shawl,
And a cigarette to warm her
Inhabits a café table
In the hip district of Reykjavík
Through days of winter night,

While I wait for the sun
To shine in my head again.
I have known beauty,
And while I know too little of beauty now
At this particular moment of things,
I trust in the memory of what has been
And the rhetoric of what may yet come to pass,
This carousel of verses flung
Across the tender night
Punctuated by cups of espresso
Dark and bitter
As the women who find
Their way into my heart.

The snow falls with a flavor of tears
That sweep across the boulevards and avenues
That lead to museums
Whose cellos and violins haunt us in our despair
While our own tears sink into the black earth
Outside the window where I sit
With my pen and my paper
And of course my drink
In a glory of wasted time and goofing off
Truly at the heart of a poet’s occupation,
Awaiting the lovely María Carlotta
Who will reward this foolish abundance of hope
I cherish in my heart,
The lovely María Carlotta,
Who when she brings me a book
Of poems by Pablo Neruda,
Offers without reservation
An eroticism of grace
Born in the deeps of her eyes
And softness of her breasts.

KISS FOREVER [David Herrle]

Faces so close she was a beautiful blob
our breath became one.

To Love and to Lose a Woman by Danny Sillada

i wake up
this morning

my woman
is no longer there

my stubborn heart
is weeping

for not loving her
that much

© Danny C. Sillada

Snapdragon (Joseph Armstead)

Dreamstime_309693

Growing wild in
purple and white,
or Primrose Yellow...

These colors
in the gray depths
of my shadow
across the garden.

They see me and invite me to play.
Childhood dances with me still.

Clustered comfortably
amidst the grass and the weeds,
living next to cool, grainy stone,
monophyletic,
earthbound spawn of sunlight,
woven of delicate and silken skin
they promise a world without end,
a cosmos of wonder and simple joy,
their bilateral symmetry
charming and colorful,
electrified by the joy
of simply Being,
while their scent
is an echo of emotion
expressed on the wind,
these little miracles,
Antirrhinum majus,
these everyday promises
of Heaven's existence.
Lifespan measured
by the beat
of a bumblebee's
wings.

Blossoming
in Montego Orange,
or Apricot Sunburst...

They see me and invite me to play.

There, at my feet,
under the cloak of my shadow,
after the frost.
*******************

Image courtesy of Dreamstime Photographic Stock: "First Frost" by Thylacine, dreamstime_309693.jpg

Pink Roses Against Your Cheek by Aurora Antonovic

Painted_lady_butterfly_by_reg_wyatt

Accolades were tossed today
like meteor showers
touching earth
but all I can think of
is you are alive and breathing
and maybe waiting, hoping
for some pink sweetheart roses to arrive
with a brush of baby’s breath against their cheeks
and while you are still breathing
living
laughing
I have been asked to write your eulogy
and I feel like such a traitor
as I start scribbling about you
in the past tense
while you are very much alive
and losing yourself
in the first wisteria's
fleeting scent



photo taken and copyrighted by Reg Wyatt

Watermelons by Elisha Porat

At times it is a sweet treasure, dewy, green
opening at night in the fields of Kakun;
at times it is a bloody treasure seen
sprouting from the reddening earth;
or the humps of a camel team
swinging to and fro, moving up and down.
There, these many days I dream:
diving in my slumber as my ears fill
with the sound of bells ringing in the long-necked beasts.

Bloody land moves under me, shifts,
clinging to me like an unwanted gift:
I hear the yellow-toothed mouth emit a grunt,
I see hands hastily cleaned of the hunt,
swelling in the night, dribbling in the heat
transparent bubble-like objects that grow green and sweet.
Perhaps my fears these many days will be expunged,
the ones that reemerge from forgetfulness, not fazed
even after so many many days.

©2007 Elisha Porat

Translated from the Hebrew by Cindy Eisner

Each Day a Gift
by David Matthews

She was fresh out of detox,
What I soon found would be
An ongoing affair,
The day I turned in my work ID
And office keys.
I put the knife to my throat
The night before.
"I pulled it back," I told them.
"I just can't do this anymore."

The bounce of hair caught my eye, her bare legs,
The loose red skirt, and a smirk of a smile,
As she pulled back a chair, turned her eyes to
The Toulouse-Lautrec print there on the wall
Near the door, and asked did I mind, as if
She knew I might, but it did not too much
Matter. The place was packed, a déjà vu
Kind of crowd on a je ne regrette rien
Kind of afternoon. I raised my eyes from
The Sunday Times and said nothing. She took
It for an invitation and sat down.
I was thinking, if only I could be
A lone sparrow silhouetted against
The unbearable blue of evening sky,
To harken rain that might now wash away
The stain of tears from all we once held dear.

"I have been on the wagon for a week."
The words spilled from her as she sipped coffee black.
"I do not care for it much. You can sink
In your despair or swim in your dreams, paint
A different color on your rainbow, find
A name you can use to say who you are
And what it means. One day you learn it does
Not matter who you used to be. You are
Just another grievous angel swept up
In a flood of fire. The cross I was brought
To bear is gone. It did not fit my needs
Anyway. So what would your story be?"

Before I could answer, she said she knew
A better place, where the coffee was dark
Enough to make way for the darkest mood.
I said it sounded good to me and made
My way with her out to the street, the sky
A brilliant blue, the air soft-bright and breezy,
A snowfall of cherry blossom to dust
The dragon boats stretched out along the river.

A man whose studded ears drooped to his collar
Asked could I do with a good suicide
Assistance guy, as he brushed stringy hair
Back from his caved-in face with a limp hand
Missing a finger or maybe it was
Two, then suggested he could fix me up
With a woman who would do what I like.
I asked if I must choose one or the other.
He said, "It's your life. You do what you want...
Some of the time, anyway." Then the sky
Grew dark with clouds that of a sudden came
And rain poured down in silver sheets that drove
Us on to huddle in the gloom beneath
The bridge, where the dark protected me from
So much I knew it was best not to see.

A poet has no need of suicide
Assistance, she pointed out with a smile.
All a poet needs is a bridge above
A bit of river, a boat in the Gulf
Where he might remove his jacket, fold it,
Place it down just so, jump into the blue,
A noose, a revolver with a bullet
in one chamber, a razor blade for blood
To scrawl one last poem on the dirty wall
Of an unremarkable room in this
Shabby tenement we call life.
They say everything has its season, but
When your seasons run together and all
To hell, it's a fine mess that's left us, Ollie.
Each day you pull back from it all,
Step away from the bridge, the boat, the noose,
The revolver, the razor, and the rest,
Anchor your spirit, this clod of a self,
To this patch of dark earth, this bit of dirt
And treachery your poor words are thrown up
Against....

                 The rain stopped. She stepped
Out into the fragile, shivering light,
Her pale, slender fingers reaching for mine.
"I am not here," she said, "to reassure
Anyone, not even myself, you know.
I could do with a face-lift for my soul."

The little sparrow sang and broke your heart,
A fog of cigarette smoke, dream, and whiskey
Coloring the night she brought just for you.
These gifts are always suspect when they come
From poets and chanteuses, but you take them
Anyway, a beauty bitter and dark.
I followed her and followed her again.
There was nowhere else to go, just a promise
Of mountains to the east and a pale moon
That clung to them in full daylight, Childe Roland
To the dark castle bound and must go on.

I cut my teeth on the ten thousand dreams
And left blood on typewriter keys that flashed
In the sun of mornings that will not dawn
Again, gone, like a book we must have read,
A line of poetry or a melody we
Almost remember when it slips like time
Through our thoughts, with only hints that remain
Of what was brilliant, green, gold, vermilion.
We take what we have and make what we can
Of it, this dark earth, the encircling sky.

She waits for the bells that ring through the fog
Where a green horse holds a clock with no hands
And the bridegroom there with his heart in his throat...
A Russian painting of geranium
Bloom endures whole in her heart far beyond
Its fade and passing, a bloom rich and deep
As a low-country door born from the brush
Of an anonymous master somewhere
In the sixteenth century. She goes on...
While I navigate that drunken boat down
The delirious river, back to where
I have never been, claim those lines that hold
In my spirit like a brushfire, cleave to
The vision, make each day a gift once more.

My Salome, My Late Salome by Danny Sillada

how can i tame my soul
from despairing

the scent on your pillow
disappearing

my heart is dead
my arms are cold

colder
than your timeless sleep:

how can i bring you back
my beloved!

© Danny C. Sillada